And if you are able to do what you do and do it very well, they will hit you up for something else in the future.” “They know that you’re talented - otherwise they wouldn’t be emailing you. “You are being called in to solve a specific problem,” Chris Kindred explains. This makes clear communication and asking a lot of questions even more essential. They may love your style, which leads to a conversation, but they might be looking for something very specific. Understand that people looking to hire artists have a need.
Transparency and being really clear to set expectations is super important.” “Hit your deadlines. That’s the number one reason why editors and art directors keep coming back to me.” So I made assumptions and I didn’t quite explain clearly what I would be providing. “I’ve been in situations where either my client didn’t really articulate what they wanted or they didn’t know what they wanted. “It’s so important to fully understand what the client wants and for the client to fully understand what the illustrator is going to provide,” Ooyevaar says. Once you’ve been hired, your next step is managing client communication, from their expectations to trying to discern exactly what they want you to do. From literally knocking on doors to sending out dozens of pitch emails, all while trying to build a social media following, connecting with art directors and hiring managers - or working to get yourself an agent - will take a lot of hustle. While a developed and polished portfolio will help your cause, networking to land a gig will take a huge amount of effort. Things to keep in mind when working with clients and art directors. “The mentality is, ‘Prove to me you can do this through your portfolio and I’ll hire you.’ The art is your interview.” “When you are working freelance in creative industries, there is no interview,” Bartel explains. Taking the time to set up a good portfolio site will pay off, especially as it’s often the main consideration when it comes to being hired. “I want to show that I can do a variety of things, so that I’ll get more varied projects.” “I want to show a breadth of work,” designer and illustrator Lenore Ooyevaar says. Narrowing the focus of your portfolio can help an art director pinpoint your specialty, but if you want to work on diverse projects, you may take a different approach.
It’s your career, so set yourself up for what you want. “In my case, I knew that I wanted to do comic covers, so I went out of my way to create illustrations that looked like comic covers,” she says. “Put the exact kind of work you want to keep doing in your portfolio.” Bartel, who worked on art in other fields before her career in comics, explains how building your portfolio can help. And while you may need to take jobs for financial reasons that don’t align with your creative goals, it’s important to keep your eye on the prize when crafting a portfolio. Your portfolio is your creative resume, so demonstrate and display the work you want to get hired to do. “If you want to make a career doing things you’re passionate about, curate a portfolio of the things you love the most,” artist Mildred Louis says.
#The well and how to get for free mildred d taylor professional#
How to build, and what to include in, a professional portfolio.
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